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Book on Luzerne County Court House; photographs; FVOC research notes; newspaper clippings; writings on Kenyon Cox; Kenyon Cox letters; Kenyon Cox life course chart.

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Newspaper articles on Fake Pollocks; correspondence; slides; photographs; FVOC notes

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Walt Kuhn and Philip Adams (Former Director, Cincinnati Art Museum) correspondence (1949); photograph of Kuhn sketch

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Correspondence concerning publication of Philip Adam’s book on Walt Kuhn; newspaper clippings; photographs; maps.

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Three, yellow manilla folders containing list of Walt Kuhn paintings with tombstone and provenance information, as well as photographs of Kuhn paintings.

Scope and Contents Large photographs of two murals by Philip Guston-WPA Building at NYWorld’s Fair 1939, and durate murals c. 1936; Photo by Nina Leen, LIFE, of the “Irascibles” (Abstract Expressionists), 1950, from dust jacket of Sandler’s “Triumph” book; Photo of Herbert Matter of Pollock in front of his Mural, 1943; Photo of Hans Namuth of Eugene Victor Thaw c. 1978; Complete issue of the NYTimes Book Review for January 28, 1973, with review of FVOC’s The New Deal Art Projects: An Anthology of Memoirs; FVOC...

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Newspaper clippings; copy of 1989 Smithsonian Magazine with Benton mural as the cover; copy of publication, Thomas Hart Benton’s Independence and the Opening of the West; general correspondence.

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Correspondence between FVOC and Laurance Hurlburt; National Endowment for the Humanities materials; FVOC research progress reports.

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Correspondence; California History Society magazine; newspaper clippings, articles, publications on the Beach Chalet in San Francisco; essays on muralist Lucien Lebaut; diagrams of Beach Chalet; photocopies of murals; FVOC notes

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Session program; correspondence; FVOC notes; session participant biographies; abstracts of papers delivered at the CAA 1970 session; copies of rejected abstracts; CAA schedules

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Instructor’s class list and grades; student rosters; syllabus for seminar course “The School of Paris: A Seminar on the Psychodynamics of Painting and Sculpture”; FVOC notes; payroll authorization; correspondence; guidelines for graduate research papers in art history; questionnaire

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Lecture transcript, “Art Deco and the Age of Beautility”; FVOC notes

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Master and draft copies of essay “Art for the Millions: Social-Concern and Self-Concern in the Art of the 1930s and After”; draft of Art for the Millions introduction; slides notes; transcript of lecture; FVOC notes

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FVOC notes; correspondence; student paper; copies of “The Life Cycle: Models by Freud, Erickson, and Plaget”

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Schedule of speakers; lecture transcript, “The Artist as a Worker”

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copies of course syllabus

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Copies of FVOC lecture, “Federal Support for the Visual Arts: The Past and Present”; FVOC notes

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Copies of FVOC paper, “The Use of Government Documents in Art Historical Research”; correspondence; “The Assimilation of Government Publications in Study and Research” materials; essays; Institute of Assimilation of Government Publications in Study and Research conference schedule

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Lecture transcript; FVOC notes; correspondence; session program

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Correspondence; FVOC statement given at the Seminar on Individual Artist New York State Commission on Cultural Resources

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Lecture notes

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Correspondence; lecture transcript; FVOC notes; lecture drafts; ARTFORM Spring 1982 Lecture series program; student responses to FVOC lecture; Mexico Today Symposium, 1978 program

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Lecture transcript; newspaper clippings; correspondence

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Correspondence; newspaper clippings; draft and final copies of FVOC’s final lecture at the University of Maryland, “On the De-Humanization of Education”; FVOC notes

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Lecture transcript and notes